The Meeting Tree

Operations · 02

Who We Speak To

A fast writer reference. Describe what is known, never invent audience detail.

Writer reference — personas at a glance

PersonaSegmentWhat they needAvoidCTA
The Cross-Generational DuoB — Private Journey DesignCross-generational coherence, shared cultural relevanceFavouring one generation's pace over the otherDiscovery conversation
The Extended CircleB — Private Journey DesignLogistics coherence across wide age rangesA single fixed pace that exhausts or bores some travellersDiscovery conversation
Private Journey Referral LeadB — Private Journey DesignTrust honoured with a clear processPublishing client / referral details without permissionDiscovery conversation only
Private Group OrganiserB — Private Journey DesignReduced decision load, visible processAmbiguous scopeDiscovery conversation
Thoughtful Pair / Circle of FriendsCross-segmentCultural context, considered pacingChecklist travel, status-heavy languageAwareness / consideration
Independent Cultural Immersion SeekerA — Themed Group JourneysRespectful cultural access, guided contextSpectator-style festival tourismAwareness / consideration
Multigenerational Milestone GroupA — Themed Group JourneysA trip that works across generations, tied to real meaningGeneric “family travel” framingAwareness / consideration
Connected Family / MultigenerationalCross-segmentNot yet researchedUnapproved family / accessibility claimsNone — research stage
Design and Architecture TravellerA — pipelineNot yet researchedImplying a confirmed programmeNone — research stage
Reflective Wellness TravellerA — pipelineNot yet researchedTherapeutic / wellness claims without reviewNone — research stage

Note

Domestic Mexican traveller demand (SECTUR data: approximately 73% of Día de Muertos bookings) is a Strategy-level strategic flag, not yet a writer-facing persona — see Strategy Part II.

Single source of truth

Full profiles, evidence sources, research status, and validation questions live in the Brand Strategy & Communications Plan, Part II — Audiences. This page is the fast writer-reference only; if it and Strategy ever disagree, Strategy is correct.